CMW 2023

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Check it out for all things music in Toronto

Bloor News Announces a New Feature: livemusicguide.ca 

Check it out for all things music in Toronto, including Open Mic listings, maps to live music venues, featured local singers/musicians and music news and reviews. 

The entertainment and writing communities were saddened to learn of the passing of Gary Webb-Procter aka ‘Gary17’, widely respected musician, critic and Editor of East York Chronicle late last year. Gary’s death didn’t just leave a hole in the hearts of his friends, family, readers and fans, it left a hole in the music scene. Gary took the spotlight off the bands we had already heard of and gave the lesser-known acts a chance to shine. Without his reviews, the Linsmore Tavern wouldn’t be a mecca for up-and-coming musicians, and we would never have heard of or from some incredible talent. The talent of the future deserves the same recognition that their predecessors gained from Gary’s pieces. Reviewing live music isn’t easy nowadays, but as vaccination rollouts continue, there is a light at the end of the tunnel. We are proud to offer our services. These are big shoes to fill, but we hope we can honour Gary’s memory by doing it justice. 

Click on the links below for some samples, and be sure to follow us on twitter at #Musicevents for future announcements, or you can find us on Facebook at LiveMusicGuideTO and our Instagram is live.music.guide.  We look forward to discovering hidden gems and introducing our readers to the creative talent of the future.

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Go to livemusicguide.ca to post your music event

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Would you like a chance to be featured in Live Music Guide? We welcome everyone to send us a link. 

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2019 Canadian Music Week

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2018 Canadian Music Week

2018 Canadian Music Week

   

 

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2017 Canadian Music Week

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2016 Canadian Music Week

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Jordan Klassen

The El Mocambo was ON FIRE when Jordan Klassen hit the Stage!! Literally. They had to evacuate right after the first song. The evacuation went smoothly, and our cities firefighters showed a great response time. It was only a little kitchen fire though, so they checked to make sure it was out and then hopped back into one of the 8 fire engines out front and drove away. The whole thing took less than an hour, but it was exciting to be there to see it, especially with it not being serious and no one getting hurt!

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Funeral Suits (Alternative) Music Review

Funeral Suits (Alternative)

Funeral Suits (Alternative) When this band took the stage, any assumptions about traditional Irish music went right out the window. Their first song confirmed what their punky/rock clothing said, as it was hardcore alternative. Stylistically, they were reminiscent of Nine Inch Nails, or Marilyn Manson, but with a uniqueness to their sound. The inclusion of keyboards added depth, and sometimes melancholy. At the beginning of the third song, some pretty ominous sounds emitted from the keyboard and remained faintly in the background throughout. The barrage of buttons and effects on the mic and keys were well utilized, creating a plethora of crazy-cool noises within and around the main body of music. The bass behind the following song was huge, with blipping techno noises meeting slow Nine Inch Nails style. I could certainly imagine a niche for this sort of thing, but they aren’t the kind of band that would appeal to the masses. The last song were heard was a complete 180 degree spin from those preceding it; far more mainstream, happy, fun and catchy- I found myself hoping it was the one on the free CD sampler.

Melissa Peters

Dominique Fricot Vancouver, BC, Alternative, Folk, Indie, Rock, Soul

Dominique Fricot (Vancouver, BC)- Alternative, Folk, Indie, Rock, Soul

Friday Night brought us back to the El Mocambo for “Music BC Showcase by 102.7 The Peak and Georgia Straight” (Downstairs), and “Music PEI Presents” (upstairs) We travelled first to the west coast of Canada for Dominique Fricot, and I was pleased to see that both the sound and the size of the crowd had improved dramatically. The song we walked in on was a nice, light alternative number, followed by some great R&B bass lines and guitar licks that drew the audience to the dancefloor. The lead male vocalist/guitarist described the next song as a waltz, so I didn’t have a clue what to expect. It turned out to be a beautiful and touching ballad featuring really nice melodies and vocal harmonies. He had quite the vocal range, and was able to adjust his voice appropriately for each style of music. Part way through the set, the band welcomed two more members carrying stringed instruments- a violin and what looked like a cello with a much narrower body. It’s always been a favourite of mine to hear classical instruments in rock/blues groups. There was so much depth and emotion behind the classical strings, it was almost tangible. I was also impressed with how the sets were laid out. Normally everyone playing up and downstairs are on the same schedule, but one started on the hour and the other started on the half hour. It was a great way to enjoy a good half hour a band without having to skip a beat between that and the music on the other floor. Whoever organized that had the right idea, and the whole festival should be laid out as such. There were years it seemed we were always arriving at a venue to watch a band set up or unplug. It can get frustrating!

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Brock Street Mafia Takes the Road to Canadian Music Week

Brock Street Mafia Takes the Road to Canadian Music Week

Over the years, I have found myself focusing on smaller, lesser-known venues in search of the musical hidden-gems of the year. I went a little bigger on the Saturday night of Canadian Music Week this year to check out a new band from Whitby. Brock Street Mafia had their debut CMW performance at likely the most well-known venue in the city after duking it out against other hopeful performers in the second annual “Road to Canadian Music Week”. I always assumed the bands playing the Hard Rock would be those with a year or two of successful festival appearances behind them. This band didn’t have the years behind them, but if they keep doing what they are doing, they will enjoy many years to come. Though they haven’t been together very long, the members of BSM found each other at the perfect time in their lives, ready to create and dedicate themselves to a great band and enjoy the success of their combined talent and love for music. Their first show was on December 1, 2012 at the ATRIA in Oshawa, and already they are quickly becoming a regular feature on the Toronto music scene. Founding members, P$yChloDelic (vocals) and Ryan Denyer (guitar) first joined forces in a previous band that didn’t work out, but they weren’t ready to give up. The two continued writing and jamming while in search of like-minded musicians to add to their sound. It didn’t take long to find Gordie (drums) and Ian Sorenson (bass), at which time P$yChloDelic reconnected with her old friend Kyle Homen (guitar). The rest is a very short history thus far, but it already sounds like these guys (and girl) have been playing together for ages. P$yChloDelic has a great tattoo on her calf, evidence of the rock and roll bursting from her tiny frame, even when she’s sporting stilettos. Her voice and stage presence, however, are anything but small. Her clear but powerful vocals are perfect for the music, and with her charisma and energy, she grabs everyone’s attention and keeps it. The band members lend their own personalities to the writing and performance, keeping each other and the audience on their toes. They are all oozing passion and talent, and obviously love what they are doing together. I actually found myself smiling as the set continued, and audience members who were clearly there to see another act couldn’t help getting into the music of Brock Street Mafia. Their tunes were heavy-in a good way, paving the way for everything from the vocals, melodies and rhythms to stand out and shine. The song November Blue was described as one of their slow songs, and it started out as such, but didn’t stay very slow. The magic though, was that it took on a different, yet equally appealing tone and sound so I didn’t find myself wishing it would go back to the ballad-style. My favorite ballads are by rock bands, and I get annoyed when even Metallica and Guns and Roses pick up the pace during one. In this instance, I wasn’t annoyed at all-I just wanted to hear more. From rock to alternative to punk, the music just got more fun as the set progressed, and the rest of the audience obviously agreed with me. The only complaint I have is that it ended too soon. Brock Street Mafia performed at Sound Academy for “420 Fest”, so i made a point of being there for an encore performance. They weren’t as rushed for time at this show, so we got to hear a little more narration from P$yChloDelic between songs, which just made her that much more entertaining.

AYOH (Chicago, IL, USA)- Alternative Rock

AYOH (Chicago, IL, USA)- Alternative Rock

Ayoh Music Group CMW

I had an issue with the CMW Gig guide regarding a lack of information promoting when this band would actually be playing. I understand that the lineup isn’t always finalized on time, and that there are little surprise appearances here and there, but it puts bands like this one at a disadvantage. The guide listed the band, and the little mini-bio, as well as an appearance earlier in the week at a different venue, but didn’t include their appearance downstairs at the El Mocambo on Thursday night. It was a real pity, because if I had seen the band on Wednesday, I would have loved to see them again before they flew home. The place was almost empty, which could have had something to do with the gig not being listed, and it was a shame because a lot of people would really enjoy this group. The volume was obviously geared toward a packed house, and should have been adjusted accordingly when the sound tech established that the crowd would consist of twenty people rather than two-hundred. Paul and I stayed glued to the front windows (about 60 meters away) and, even there, it was far too loud. The sheer volume was just uncalled for and it caused unnecessary distortion. Had it been adjusted by even 10%, it would have sounded great from the opposite end of the empty bar. Big crowd, or a handful of people, this band put on a great show regardless. They had a clean, modern sound full of enthusiasm and energy. They were really good and clicked as a group. Had I hear the studio version of any one of their songs on a popular radio station, I would have assumed they were as popular and well-known as all the other bands frequenting the mainstream airwaves. I hope they had more of a crowd at their Wednesday gig because they truly deserve a following; that, and a skilled sound-technician! The “ElMo” had been renovated since my last visit and looked a little cleaner and brighter than I remembered. I noticed something funny though- the bathrooms, instead of being labelled “Mens” and “Ladies”, had signs saying “The John” and “The Yoko”. Very creative, I thought, and then I wondered if they had been called that the whole time I had been going there and I was just noticing for the first time.

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2013 Canadian Music Week

 

After perusing the gig-guide, I decided to begin my 2013 Canadian Music Week festivities at the cozy, yet spacious Drake Underground for “Music From Ireland Presents” to check out a couple of bands from Dublin. The company presenting the music offered a free CD sampler of the bands they work with, which I took and thanked them for enthusiastically. It’s a great way to leave some of their music behind for fans in other parts of the world.

By Melissa Peters

 

Toronto Jazz 2012 Fest: George Benson

As the sun sets over Nathan Philip square there is a palpable feeling of excitement as people await the Legendary George Benson.The night begins with the opening act Tressa Levassuer who, accompanied by her seven piece band, opened with their song “Where Did I go”. A mixture of jazz-infused pop with a bit of soul, they got the crowd toe-tapping and set the beat for the evening. One of my personal favourites is a song she wrote for her 17-year- old daughter, which included a dialogue about “whatever happened to decency”, a banter between mother and daughter, which I’m sure many mothers could relate with.

When they finished their set, there was a buzz in the air. Amongst the swirl of purple and white lighting there was an excited energy as the crowd awaited the main act, legendary jazz performer and 10 time grammy award winning George Benson. Known for such hits as “Affirmation”, Mr. Benson and his band took the stage and the crowd began to cheer. Still going incredibly strong after over 30 years in the music industry, he opened with their hit song “breezin” and the air became thick with the infectious sound of jazz fusion. Alternating between guitar and vocals and just guitar, the set did not disappoint, and even included some classic scat style. The communication between the band and audience was felt and Mr. Benson said “All over the world this song resonated” before going into “Nothing’s Gonna Change My Love For You” in which the crowd enthusiastically applauded. A favourite included the 1950’s classic hit “Tequila”. A crowd pleaser which was turned in to a classic George Benson style of jazz, it included a guitar solo which was mesmerizing. As one of his last song’s of the night started, a solid disco beat began and the crowd was on its feet as the beat turned in to one of their biggest hits “Give Me The Night”.

This writer wasn’t brave enough to dance, but I was definitely dancing in my seat. It was obvious that George Benson and his 5 piece band were in to all the songs and that resonated with the audience. With the encouragement of the bassist Ron Carter even more people got to their feet and dancing ensued.

After “Give Me The Night” Mr. Benson left the stage but the rest of the band remained. A three set encore commenced with the classic “Since I Fell For You” and ended with an excellent cover of “On Broadway” with an amazing drum solo. Although my own personal favourite “This Masquerade” was not played it was of little consequence. It was a very memorable evening and George Benson has proved he is still relevant in an age of auto tune and simple pop melodies.

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