Departure Festival + Conference: Toronto’s New Creative Hub

Departure Festival + Conference: Toronto’s New Creative Hub

Toronto is set to host one of its most ambitious cultural events — the Departure Festival + Conference, happening May 6–11, 2025. More than just a music festival, Departure represents a new chapter for Canada’s creative industries, combining live performances, art, comedy, technology, and industry networking in one citywide celebration.

Born from the legacy of Canadian Music Week, Departure reimagines what an arts and industry event can be. The festival side lights up Toronto with concerts, comedy shows, and art activations across multiple venues, while the conference side brings together artists, producers, tech innovators, and entertainment professionals for panels, workshops, and keynotes. This hybrid approach creates a unique platform for both inspiration and collaboration.

What sets Departure apart is its focus on cross-disciplinary creativity. It’s not just about the music — it’s about how sound, technology, media, and design are converging to shape the future of entertainment. Expect discussions on artificial intelligence in music, the rise of independent creators, mental health in the arts, and the global expansion of Canadian talent.

Festivalgoers can choose between conference passes, festival wristbands, or all-access options, allowing everyone from fans to professionals to take part at their own pace. The atmosphere is expected to be electric — with showcases from emerging artists, interactive exhibits, and city-wide events that turn Toronto into a living stage.

Ultimately, the Departure Festival + Conference isn’t just an event — it’s a statement. It celebrates the evolution of culture, technology, and creativity, positioning Toronto as a global hub for the future of entertainment. Whether you’re an artist, entrepreneur, or culture-lover, Departure is your invitation to explore what’s next.

(Visit departureto.com for details on passes, lineup, and schedule.)

CMW 2023

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2022 Nominees Announced for The Canadian Live Music Industry Awards at Canadian Music Week

Canadian Music Week and the Canadian Live Music Association (CLMA) are happy to announce the 2022 nominees for the Canadian Live Music Industry Awards. Hosted by Jully Black, the Live Music Industry Awards will take place June 10 at the El Mocambo with performances by Jully Black, Sam Drysdale, Preston Pablo, Rêve, and Nobro.

The Canadian Live Music Industry Awards will celebrate the live music sector in Canada across 19 categories, as an incredible and long-awaited “reunion” of a community so badly impacted by COVID-19.

“Never has it been more important to come together and celebrate each other and the incredible resilience of our live music community. The past two years have been excruciating and yet we have persevered. Now, here we are – the moment has finally arrived. Join us to recognize our peers and colleagues who have gone above and beyond, and led this sector through our many challenges. The Canadian Live Music Industry Awards is our time to shine the spotlight back stage and front of house, and thank, celebrate and acknowledge you and all you do.” Erin Benjamin, President & CEO, CLMA.

The Canadian Live Music Industry Awards will also acknowledge outstanding leadership and contributions to our community through the following awards: Excellence in Music “City” Development to the City of London, Ontario; the Lifetime Achievement Award to Jeff Cohen of Collective Concerts; the Legends of Live Award to Jully Black, the Canadian Queen of R&B; and The Canadian Live Music Industry Awards “Unsung Hero” Award to Susie Grynol, President & CEO, Hotel Association of Canada and Beth Potter, President & CEO, Tourism Industry Association of Canada as co-Leaders of the Coalition of Hardest Hit Businesses (hardesthit.ca).

Tickets for the CLMA are on sale now at: https://cmw.net/conference/online-registration/
The 2022 Nominees for the Canadian Live Music Industry Awards are:

#ForTheLoveOfLIVE Award – Individual
Eduardo Ottoni
Marc Gertner
Amanda Burgener
Lisa Zbitnew
Brandon Eedy
Marshall Feit
Mervon Mehta
Umair Jaffar
Tyson Boyd

#ForTheLoveOfLIVE Award – Organization/Company
Riverfest Elora
Maple Leaf Sports & Entertainment
Curbside Concerts
Kingston Live
Side Door
Canada’s Music Incubator (CMI) – CMI Live
Starlite Sessions
Lemmon Entertainment
Les SMAQ

#ForTheLoveOfLIVE Award – Coalition/Collaboration
Breaking Down Racial Barriers
Love You Live Venue Coalition (Toronto)
BC Music Festival Collective
Starlite Sessions & BOP Management
More Music Management & HipHopCanada
Outstanding Emerging Organization
Golden Hour Productions
Curbside Concerts
Culturas 360°
Hotels Live Canada
Debaser
Midnight Agency

Overcoming Adversity Award – Large Venue/Festival
Vancouver International Jazz Festival
Scotiabank Arena
Budweiser Stage
Escapade Music Festival
Shambhala Music Festival
Calgary Bluesfest
Calgary Stampede

Overcoming Adversity Award – Medium Venue/Festival
Fort Langley Jazz & Arts Festival
Horseshoe Tavern
Koerner Hall (The Royal Conservatory)
El Mocambo
Rickshaw Theatre
deCoste Performing Arts Centre
Starlite Room
The Park Theatre
Ausgang Plaza
Vogue Theatre

Overcoming Adversity Award – Small Venue/Festival
Festival Country Lotbinière
The Carleton
Hank’s Tavern
The Westdale Theatre
Peterborough Folk Festival
Capitol Music Club
Hugh’s Room
Waveland
Winterruption YEG
The Grace Arts Centre
South Block BBQ
Bar Le Ritz PDB
Folk On The Rocks
Le Pantoum
Small World Centre

Outstanding Digital Live Music Event
Budweiser Stage at Home
100 Homes: Concert Connections
Canada Performs (NAC)
Aeolian Hall Phoenix Sessions
TD Music Connected Series
Calgary Bluesfest
The LUV Concert Series
Saying Goodbye
The Lemmon Stage
International Indigenous Music Summit

Outstanding In-Person Specialty Concert
Hotels Live
DNA Live & Live Nation: The Drive In Experience
The Road to Rock the Park Patio Series
All Axis Festival
Shambhala Music Festival: Stage Reunion Speciality Concerts

Agent of the Year
Ben Buchanan
Romi Mayes
Paul Biro
Tao-Ming Lau
Ralph James
Grant Paley
Jack Ross
Stefanie Purificati
Julien Paquin
Nicole Rochefort
Joel Baskin

Manager of the Year
Nikki Shibou
Joel Carriere
Jason “JR” Antoine
CJ Allen
Maria Escamilla
Steve Kenny & Teresa Nelson
Eli Wener
Alexander Wyder
Tre Digga

Production Person of the Year
Eduardo Ottoni
Leslie Goldthorpe
George Antonio
Paul Zivontsis
Doug McKendrick
John Ellingbo
Vanessa Arscott
Sarah Costa

Concert/Club Talent Buyer of the Year
Jessica Lemmon
Craig Laskey
Rob Cyrynowski
Mervon Mehta
Joëlle Turcotte / Sébastien Gagnon
Greg Curtis

Festival Buyer of the Year
Spencer Shewen
Alex Primeau
Alfredo & Mercedes Caxaj
Evelyne Côté
Adam Oppenheim
Brent Oliver

A/V Production Company of the Year
FM Systems
DC Music Toronto Rehearsal Studios Sound Stage and Event Space
DL Sound and Lighting
ENTXX Productions
Pulse Concert Works Calgary
Decibel Entertainment Ltd.
Plan V Productions
Promosa: Production Management
Briere Production Group

The Canadian Live Music Association (CLMA) is the voice of Canada’s live music industry. The CLMA represents venues, clubs, concert promoters, festivals, talent agencies, arenas, performing arts centres, industry associations and networks, as well as suppliers to the sector. Its mission is to entrench the economic, social, and cultural value of live music – creating the conditions for concerts to thrive, from coast to coast to coast.

Canadian Music Week is Canada’s leading annual entertainment event dedicated to the expression and growth of the country’s music, media and entertainment industries. Combining multifaceted information-intensive conferences; a trade exposition; awards shows and the nation’s largest new music festival. All conference functions take place at the InterContinental Toronto Centre at 225 Front Street West in Toronto.

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2019 Canadian Music Week

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2019 Canadian Music Week

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2018 Canadian Music Week

2018 Canadian Music Week

   

 

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BEACHES JAZZ FESTIVAL Press Party 2017

 

BEACHES JAZZ FESTIVAL Press Party 2017

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2017 Canadian Music Week

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2017 Canadian Music Week 2018 Canadian Music Week
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BEACHES JAZZ FESTIVAL Press Party 2016

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2016 Canadian Music Week

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Winterfolk Blues Roots Festival Toronto

 

 

 

 

 

 

 

 

Winterfolk Blues Roots Festival Feb 12-14, Toronto.

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Canadian Urban Music Conference 4th Annual @ Bond Place Hotel Toronto 2015 #TDotFest #CUMC15 #sashastoltzpublicity
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Brock Street Mafia Takes the Road to Canadian Music Week

Brock Street Mafia Takes the Road to Canadian Music Week

Over the years, I have found myself focusing on smaller, lesser-known venues in search of the musical hidden-gems of the year. I went a little bigger on the Saturday night of Canadian Music Week this year to check out a new band from Whitby. Brock Street Mafia had their debut CMW performance at likely the most well-known venue in the city after duking it out against other hopeful performers in the second annual “Road to Canadian Music Week”. I always assumed the bands playing the Hard Rock would be those with a year or two of successful festival appearances behind them. This band didn’t have the years behind them, but if they keep doing what they are doing, they will enjoy many years to come. Though they haven’t been together very long, the members of BSM found each other at the perfect time in their lives, ready to create and dedicate themselves to a great band and enjoy the success of their combined talent and love for music. Their first show was on December 1, 2012 at the ATRIA in Oshawa, and already they are quickly becoming a regular feature on the Toronto music scene. Founding members, P$yChloDelic (vocals) and Ryan Denyer (guitar) first joined forces in a previous band that didn’t work out, but they weren’t ready to give up. The two continued writing and jamming while in search of like-minded musicians to add to their sound. It didn’t take long to find Gordie (drums) and Ian Sorenson (bass), at which time P$yChloDelic reconnected with her old friend Kyle Homen (guitar). The rest is a very short history thus far, but it already sounds like these guys (and girl) have been playing together for ages. P$yChloDelic has a great tattoo on her calf, evidence of the rock and roll bursting from her tiny frame, even when she’s sporting stilettos. Her voice and stage presence, however, are anything but small. Her clear but powerful vocals are perfect for the music, and with her charisma and energy, she grabs everyone’s attention and keeps it. The band members lend their own personalities to the writing and performance, keeping each other and the audience on their toes. They are all oozing passion and talent, and obviously love what they are doing together. I actually found myself smiling as the set continued, and audience members who were clearly there to see another act couldn’t help getting into the music of Brock Street Mafia. Their tunes were heavy-in a good way, paving the way for everything from the vocals, melodies and rhythms to stand out and shine. The song November Blue was described as one of their slow songs, and it started out as such, but didn’t stay very slow. The magic though, was that it took on a different, yet equally appealing tone and sound so I didn’t find myself wishing it would go back to the ballad-style. My favorite ballads are by rock bands, and I get annoyed when even Metallica and Guns and Roses pick up the pace during one. In this instance, I wasn’t annoyed at all-I just wanted to hear more. From rock to alternative to punk, the music just got more fun as the set progressed, and the rest of the audience obviously agreed with me. The only complaint I have is that it ended too soon. Brock Street Mafia performed at Sound Academy for “420 Fest”, so i made a point of being there for an encore performance. They weren’t as rushed for time at this show, so we got to hear a little more narration from P$yChloDelic between songs, which just made her that much more entertaining.

AYOH (Chicago, IL, USA)- Alternative Rock

AYOH (Chicago, IL, USA)- Alternative Rock

Ayoh Music Group CMW

I had an issue with the CMW Gig guide regarding a lack of information promoting when this band would actually be playing. I understand that the lineup isn’t always finalized on time, and that there are little surprise appearances here and there, but it puts bands like this one at a disadvantage. The guide listed the band, and the little mini-bio, as well as an appearance earlier in the week at a different venue, but didn’t include their appearance downstairs at the El Mocambo on Thursday night. It was a real pity, because if I had seen the band on Wednesday, I would have loved to see them again before they flew home. The place was almost empty, which could have had something to do with the gig not being listed, and it was a shame because a lot of people would really enjoy this group. The volume was obviously geared toward a packed house, and should have been adjusted accordingly when the sound tech established that the crowd would consist of twenty people rather than two-hundred. Paul and I stayed glued to the front windows (about 60 meters away) and, even there, it was far too loud. The sheer volume was just uncalled for and it caused unnecessary distortion. Had it been adjusted by even 10%, it would have sounded great from the opposite end of the empty bar. Big crowd, or a handful of people, this band put on a great show regardless. They had a clean, modern sound full of enthusiasm and energy. They were really good and clicked as a group. Had I hear the studio version of any one of their songs on a popular radio station, I would have assumed they were as popular and well-known as all the other bands frequenting the mainstream airwaves. I hope they had more of a crowd at their Wednesday gig because they truly deserve a following; that, and a skilled sound-technician! The “ElMo” had been renovated since my last visit and looked a little cleaner and brighter than I remembered. I noticed something funny though- the bathrooms, instead of being labelled “Mens” and “Ladies”, had signs saying “The John” and “The Yoko”. Very creative, I thought, and then I wondered if they had been called that the whole time I had been going there and I was just noticing for the first time.

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NXNE 2012 Fest: The Nils, The Hussy’s, The Sadies

MUSIC: North X North East Fest: The Nils, The Hussy’s, The Sadies

 

Ladystache a hilariously odd yet sketch comedy troupe at The Lot 100. Walking in to the venue I was confronted with two girls on stage walking around trying to figure out what was stuck up one of their arse. i was intrigued to see what it was about so and before I knew it they had changed to a puppet skit. Behind closed chairs pop up to male puppets both as wonky looking as the other and we have some nice funky dance music to accompany what turned into a the one puppet performing oral sex on the other! it was right out of left felid but super funny! Speaking with the girls after the show they were very calm and very approachable. Allison Hogg and Steph Tolev(both 27)are from Collingwood and Toronto they met in college and started doing improve together . They originally were a group of 4 but 2 fell out and now they are the perfect two!

The Hussy’s

The next stop we made was at a Little bar/club on dundas w at Unlovable a very small but kinky bar where the band and customers mingle side by side. The Hussy’s came on and were very confronting, very loud lots of grit! Wow very powerful and unforgiving just the way they like to be. You can feel the passion inside them ,you can see it . At one point I thought the drummer woman was tired or messed up she was going so hard so fast for so long; but she got right back on it just like a jack hammer! loved it ! They make loud n shrill thunderstruck sound -definitely could fill a stadium with their sound-easy. I had to leave to catch my ears running away from me !

 

The Nils

I dropped in briefly to The Bovine to catch a glimpse of The Nils again a very raunchy loud true grit kinda rockin band. The singer Phil Gravedigge the guitar player WAS VERY NICE and approachable. their sound was very loud and semi fast very danceable. The Nils were formed back in the 80’s by Aalex Soria and brother Carlos, both from Montreal were name checked by bands like Meat Puppets, Super Chunk and Jawbox. They performed extensively in the 80’s releasing 2 ep’s and a single album before they broke up due to Alex’s passing in 2004 ; but did not stop them from reforming for their critically acclaimed album The Title is the Secret Song .

 

The Sadies

I stopped to see The Sadies at the Horseshoe a very welcomed band by this venue unfortunately never got to see them perform this time due to false information read. Although I did get to speak with a couple of the members in the back after their show. The drummer Mike Belitsky is from Boston originly but lives in Toronto, Andre Williams is from Chicago he is not a permanent member of the band, Travis Good plays Vocal, guitar and fiddle and Dallas Good is vocals and guitar lives in Peterborough but is originly from Richmond Hill., Sean Dean the bass player is also living in Toronto, all very grungy/swanky musicians. Always great dancing music! Mike played the drummer has played for about 30 yrs

 

Bass drum of

I loved this band saw them a great venue The Wrong Bar so loud and heavy very unapologetic damn rights! This band had 2 guitar players and no base player . John Barrett said he writes and composes most of the songs and he doesn’t like the bass . He used to just compose his own music alone and thump his base drum while playing the guitar .They are from Oxford, Mississippi. Colin is the wicked loud Drum player who doesn’t have ot think how he will lose excess water retention. They are touring through Australia in 2012.

 

Dearly Beloved

My last band to see walking into the Velvet Underground was Dearly Beloved fronted by a cute and raunchy woman Niva Chow tapping her feet and slapping her tamborine and what an awesome voice .they came together in 2006 formed by Robb Higgins a singer/song writer, producer, radio show host. He never had plans for to be a commercialized band.

 

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