Linsmore Tavern

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The Duke Toronto

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Black Bear Pub

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Royal Canadian Legion Branch 614

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The Swan A Firkin Pub

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Southside Johnny’s Bar and Grill

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Gladstone Hotel

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MAESTRO FRESH WES . SCARBOROUGH BACK TO SCHOOL

Toronto, On – Maestro Fresh Wes (Wes Williams) The Godfather of Canadian Hip Hop, will bring home a special inspirational event.  Giving back has always been a part of the iconic artist’s DNA, never forgetting where he came from.   Maestro hopes to encourage young students, parents, and educators to aim for an awesome upcoming school year.   The event is inspired by Maestro’s popular children’s book, “Stick To Your Vision: Young Maestro Goes To School” (co-written by Rhodora Meliton-Vanderpool, illustrations by Leon “Eklipz” Robinson ) 

 

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MAESTRO FRESH WES – SCARBOROUGH BACK TO SCHOOL

The Garrison

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Handlebar

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Ben Anthony – Lavoz Delon Om – Live

Ben Anthony - Lavoz Delon Om - Live

Ben Anthony - Lavoz Delon Om - Live

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History Toronto Venue

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El Mocambo Music Calendar

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The Opera House Music Calendar

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Great Hall Toronto Calendar

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the drake hotel Music calendar

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Phoenix Concert Theatre Calendar Events

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Monarch Tavern Calendar of Events

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Timothy’s Pub Calendar events

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Calendar of Events Of Lee’s Palace

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Calendar of Events Horseshoe Tavern

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records
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Tyler Yarema live at the Reservoir Lounge

Since 1993, Toronto-based musician, Tyler Yarema (then twenty-one years old) has been performing at the Reservoir Lounge, soon after its official opening in downtown Toronto. The self-taught musician (pianist and vocalist) currently plays weekly on Friday and Saturday evenings, beginning at 9:30pm. Last Friday was the first show post-COVID and was received extremely well by the patrons at the Lounge; a clear relief as many locals had their first taste of live music post-pandemic.

Sonetta Duncan

Though, I use the term “self-taught,” Yarema would prefer the term “self-educated.” The difference being that self-taught implies learning without external sources. Self-educated is more a personal study from both the artist themselves, and other artists and teachers and resources.

Yarema has been dabbling in music since the ripe age of thirteen, where he would play guitar in jam sessions with friends. At the age of sixteen, one of his co-dabblers brought their keyboard. As soon as Yarema sat down with the keys, he knew that his life had changed. While something beyond him (one-might-say, divine source) took over, he knew he had found his calling.

Tyler Yarema

Throughout his youth, he would ditch classes to play the school piano instead of studying. It didn’t take long before his mother accepted this as part of his artistic process.

Upon asking Yarema advice for other musicians, he agreed that while things differ from individual to individual, as well as place to place and time to time, it really does depend on three huge factors. The first being, the patience and time to dedicate into learning a new skill and surrendering your life to said skill. The second being the commitment to jam sessions and playing with as many different artists as possible, in as many venues, locations, and circumstances as one can manage. But the third, and arguably most important factor is something beyond you, a skill set you were given at birth. To quote, to be an artist requires something that the “good lord gave you that sets you 1,000 miles beyond your colleagues” before you even begin the learning process. Many true artists can emphasize with this factor, feeling as though they are a vessel to their art and not truly creating it externally, but it comes from something within one’s self. A drive beyond their own function.

Tyler Yarema

Yarema’s main advice for fellow musicians starting out – while things are constantly changing, just keep performing. Keep doing what you love. Keep learning and keep dabbling. Also, try out open-mic nights, as you never know where one avenue might lead.

Yarema has recently been invited to join the Downchild Blues Band as the keyboardist, the first show will be during the Tim Hortons Southside Shuffle.

by Sonetta Duncan + Pics By Paul

The Rex Hotel Toronto

Late Nights at The Rex: Musings About a Unique Toronto Venue

The live music venue is known for its retro-chic décor, and of course, the infamous and by-now-beloved pillar in the middle of the dining area. It’s this unique modern-yet-historical charm that makes it so distinct – and so popular as a late-night hangout spot. For many years it’s been a central venue for the TD jazz festival. Why wouldn’t it be, given that it’s such a household name? Believe it or not, though, The Rex started out from seriously humble roots. In 1960, Bob Ross bought out the cute but unremarkable United Clothing Store and converted it into an expanded bar, which quickly attracted an audience. Around 20 years later, as Queen Street West became increasingly hip, Ross realized that he had better keep up with the times if he wanted to boast a poppin’ venue for local clientele. Initially he hosted mainly pro-alt-country and rockabilly music, genres that are scarcely recognizable today. But all that was soon to change.

https://livemusicguide.ca/ printed in LIVE MUSIC GUIDE newspaper

https://livemusicguide.ca/ printed in LIVE MUSIC GUIDE newspaper

#musician #singersongwriter #singer #songwriter
#originalmusic #CanadianBands #CanadinMusic
#MusicCanada #TorontoMusic

 

In the early days of the venue, Bob Ross would shut down early, go to the nearby jazz bar Bourbon Street & Basement Street, and chillax with the musicians till the early hours of the night. Eventually they started showing up at the Rex between sets – mostly for the bargain drinks. So it was a combination of sociability and business savvy (read: cheap beer) that lay down the roots of The Rex as we know it today.

One seemingly ordinary night, Canadian saxophonist DT Thompson was playing down the street. After a set, the jazz musician strutted in casually, playing “When The Saints Go Marching In” while prancing around the bar. Eventually he found his way to the bar, and requested a rye and coke for his impromptu entertainment. Ross was seemingly more amused than anything, because from that day forward the venue has been known predominantly for its jazz and blues shows.

 

 

 In the early days of the venue, Bob Ross would shut down early, go to the nearby jazz bar Bourbon Street & Basement Street, and chillax with the musicians till the early hours of the night. Eventually they started showing up at the Rex between sets – mostly for the bargain drinks. So it was a combination of sociability and business savvy (read: cheap beer) that lay down the roots of The Rex as we know it today. One seemingly ordinary night, Canadian saxophonist DT Thompson was playing down the street. After a set, the jazz musician strutted in casually, playing “When The Saints Go Marching In” while prancing around the bar. Eventually he found his way to the bar, and requested a rye and coke for his impromptu entertainment. Ross was seemingly more amused than anything, because from that day forward the venue has been known predominantly for its jazz and blues shows. The bar has been renovated many times over the years, but none of the changes have modernized it so much as to take away its characteristic and unmistakable Old Toronto feel. The bar is still owned by Bob Ross, and now he has his grandson Avi around to manage it with him. Tom Tytel took over booking in the 90s, and he’s been the go-to guy ever since. The Rex may be a bar, but it seems to be equal parts a family.

The bar has been renovated many times over the years, but none of the changes have modernized it so much as to take away its characteristic and unmistakable Old Toronto feel. The bar is still owned by Bob Ross, and now he has his grandson Avi around to manage it with him. Tom Tytel took over booking in the 90s, and he’s been the go-to guy ever since. The Rex may be a bar, but it seems to be equal parts a family.

 

Calendar of Events THE REX HOTEL

Our jazzrhythms.ca Our Jazz Site 

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Kevin Garrett

Kevin Garrett

Kevin Garrett is an American musician from Pittsburgh, Pennsylvania based out of Brooklyn, New York. This talented young musician has already been nominated for his work on Beyonce’s ‘Lemonade’ album, and I have a feeling it will only be the first of many. There is something about him that makes me think of Ed Sheeran, but he has a sound that is all his. It’s rare to hear this style of music played and sung so beautifully by a male vocalist. This kid has more than enough talent to give even Ed a run for his money.  Extremely talented at songwriting, guitar and piano, something about this young man’s music suggests a future hit love song that will be on every wedding playlist, likely as the first song or the traditional father-daughter dance. Those are the kind of ballads that are timeless, and evoke fond memories and tears of either happiness or sadness for decades to come. If anyone has the potential and talent to create one of those timeless ballads, it’s Kevin Garrett. You won’t have to watch out for this young man, because you will be hearing more from him. Just wait.


by Melissa Petters

 

Review: La Force

Review: La Force

La Force

Featuring a lead vocalist with a stunning voice filled with passion and clarity, La Force has a sound that is filled with beautiful melodies and instrumental accompaniments. Their eclectic music would be ideal for an funky restaurant or art gallery, a mellow party with candles and soft conversation or just to enjoy while one sits and writes music reviews. They range from the soft and soulful to a more upbeat and unpredictable style. It’s fun to listen to while being relaxing at the same time. La Force would appeal to a wide variety of audiences of many ages. Their name is appropriate, because they ARE a force. They stand out rather than blending with the status quo, which isn’t easy to do nowadays, and they are going places. Definitely worth checking out!

Melissa Peters

Check it out for all things music in Toronto

Bloor News Announces a New Feature: livemusicguide.ca 

Check it out for all things music in Toronto, including Open Mic listings, maps to live music venues, featured local singers/musicians and music news and reviews. 

The entertainment and writing communities were saddened to learn of the passing of Gary Webb-Procter aka ‘Gary17’, widely respected musician, critic and Editor of East York Chronicle late last year. Gary’s death didn’t just leave a hole in the hearts of his friends, family, readers and fans, it left a hole in the music scene. Gary took the spotlight off the bands we had already heard of and gave the lesser-known acts a chance to shine. Without his reviews, the Linsmore Tavern wouldn’t be a mecca for up-and-coming musicians, and we would never have heard of or from some incredible talent. The talent of the future deserves the same recognition that their predecessors gained from Gary’s pieces. Reviewing live music isn’t easy nowadays, but as vaccination rollouts continue, there is a light at the end of the tunnel. We are proud to offer our services. These are big shoes to fill, but we hope we can honour Gary’s memory by doing it justice. 

Click on the links below for some samples, and be sure to follow us on twitter at #Musicevents for future announcements, or you can find us on Facebook at LiveMusicGuideTO and our Instagram is live.music.guide.  We look forward to discovering hidden gems and introducing our readers to the creative talent of the future.

Printed Copy Here

Go to livemusicguide.ca to post your music event

Are you a local singer or musician? 

Would you like a chance to be featured in Live Music Guide? We welcome everyone to send us a link. 

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2019 Canadian Music Week

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The Canadian Music and Broadcast Industry Hall of Fame Lifetime Achievement Award recipient Robbie Robertson.

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2018 Canadian Music Week

2018 Canadian Music Week

   

 

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BEACHES JAZZ FESTIVAL Press Party 2017

 

BEACHES JAZZ FESTIVAL Press Party 2017

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Winterfolk Blues Roots Festival Toronto

 

 

 

 

 

 

 

 

Winterfolk Blues Roots Festival Feb 12-14, Toronto.

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BEACHES JAZZ FESTIVAL Press Party 2015

BEACHES JAZZ FESTIVAL Press Party 2015

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Indie Week Toronto 2014

Indie Week Toronto 2014

 

 

5j Barrow

 

Cousins

 

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Publicity for your independent film

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NXNE 2014 Wed Music Festival Toronto Pics

NXNE 2014 Wed Music Festival Toronto Pics

The Ian Fays

Nice people – they were already finished, when i got to the “Boat”
The baby plays the drums!belt

The Van Allen Belt

Had a video running behind them that was by itself a wonderful work of art. Could have used a little less bass rumble.
The Girl can sing and the band was a man with a computer, with another guy with a keyboard. Above average for the “Indie Music Biz” but played to 15 people. Sad waste of time for a group to travel so far and not to be promoted. See pic below

 

Old and Weird

these Cute young girls played to a busy bar across the street.  And made better by the province of NOVA SCOTIA
But sadly badly off key singing made them miss my top ten … please get better

Monomyth

Monomyth

Right on after the girls — these boys could sing — packed house — nice to see so many “young people”
maybe there is hope of live music after all.  your usual “indie Music Stuff” nothing outstanding in songwriting dept

fever

Fevers

Both singers could hold a note, but were usually lost in the mix. Great lights, above average in the “indie Music Stuff”
had great energy — but only got a “c-”  in songwriting.  too bad indie music people do not go to class about writing good
pop hooks — you know the song that drives you nuts — in your head — you need to hear it again

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WINTERFOLK XII BLUES & ROOTS FESTIVAL 2014

WINTERFOLK XII BLUES & ROOTS FESTIVAL 2014

staff glad paula scott mary randomDSC_0096 Jack-de-Keyser-BluesSinger

NXNE 2013 Toronto Music Review

NXNE 2013 Toronto Music Review

AfroFest Media Launch
AfroFest Media Launch
I Do Not Know Who They Are
I Do Not Know Who They Are

NXNE MUSIC REVIEW

Kasa Is writing this one
Kasa Is writing this one
Still The Corners
Still The Corners

 

11 Pass !
11 Pass 1
Melissa With 11PSSS 1 SINGER
Melissa With 11PSSS 1 SINGER

 

Craig Stickland
Craig Stickland

 

Super Geek
Super Geek

 

Jon Long
Jon Long
no idea
no idea

ri

 

r

Brock Street Mafia Takes the Road to Canadian Music Week

Brock Street Mafia Takes the Road to Canadian Music Week

Over the years, I have found myself focusing on smaller, lesser-known venues in search of the musical hidden-gems of the year. I went a little bigger on the Saturday night of Canadian Music Week this year to check out a new band from Whitby. Brock Street Mafia had their debut CMW performance at likely the most well-known venue in the city after duking it out against other hopeful performers in the second annual “Road to Canadian Music Week”. I always assumed the bands playing the Hard Rock would be those with a year or two of successful festival appearances behind them. This band didn’t have the years behind them, but if they keep doing what they are doing, they will enjoy many years to come. Though they haven’t been together very long, the members of BSM found each other at the perfect time in their lives, ready to create and dedicate themselves to a great band and enjoy the success of their combined talent and love for music. Their first show was on December 1, 2012 at the ATRIA in Oshawa, and already they are quickly becoming a regular feature on the Toronto music scene. Founding members, P$yChloDelic (vocals) and Ryan Denyer (guitar) first joined forces in a previous band that didn’t work out, but they weren’t ready to give up. The two continued writing and jamming while in search of like-minded musicians to add to their sound. It didn’t take long to find Gordie (drums) and Ian Sorenson (bass), at which time P$yChloDelic reconnected with her old friend Kyle Homen (guitar). The rest is a very short history thus far, but it already sounds like these guys (and girl) have been playing together for ages. P$yChloDelic has a great tattoo on her calf, evidence of the rock and roll bursting from her tiny frame, even when she’s sporting stilettos. Her voice and stage presence, however, are anything but small. Her clear but powerful vocals are perfect for the music, and with her charisma and energy, she grabs everyone’s attention and keeps it. The band members lend their own personalities to the writing and performance, keeping each other and the audience on their toes. They are all oozing passion and talent, and obviously love what they are doing together. I actually found myself smiling as the set continued, and audience members who were clearly there to see another act couldn’t help getting into the music of Brock Street Mafia. Their tunes were heavy-in a good way, paving the way for everything from the vocals, melodies and rhythms to stand out and shine. The song November Blue was described as one of their slow songs, and it started out as such, but didn’t stay very slow. The magic though, was that it took on a different, yet equally appealing tone and sound so I didn’t find myself wishing it would go back to the ballad-style. My favorite ballads are by rock bands, and I get annoyed when even Metallica and Guns and Roses pick up the pace during one. In this instance, I wasn’t annoyed at all-I just wanted to hear more. From rock to alternative to punk, the music just got more fun as the set progressed, and the rest of the audience obviously agreed with me. The only complaint I have is that it ended too soon. Brock Street Mafia performed at Sound Academy for “420 Fest”, so i made a point of being there for an encore performance. They weren’t as rushed for time at this show, so we got to hear a little more narration from P$yChloDelic between songs, which just made her that much more entertaining.

AYOH (Chicago, IL, USA)- Alternative Rock

AYOH (Chicago, IL, USA)- Alternative Rock

Ayoh Music Group CMW

I had an issue with the CMW Gig guide regarding a lack of information promoting when this band would actually be playing. I understand that the lineup isn’t always finalized on time, and that there are little surprise appearances here and there, but it puts bands like this one at a disadvantage. The guide listed the band, and the little mini-bio, as well as an appearance earlier in the week at a different venue, but didn’t include their appearance downstairs at the El Mocambo on Thursday night. It was a real pity, because if I had seen the band on Wednesday, I would have loved to see them again before they flew home. The place was almost empty, which could have had something to do with the gig not being listed, and it was a shame because a lot of people would really enjoy this group. The volume was obviously geared toward a packed house, and should have been adjusted accordingly when the sound tech established that the crowd would consist of twenty people rather than two-hundred. Paul and I stayed glued to the front windows (about 60 meters away) and, even there, it was far too loud. The sheer volume was just uncalled for and it caused unnecessary distortion. Had it been adjusted by even 10%, it would have sounded great from the opposite end of the empty bar. Big crowd, or a handful of people, this band put on a great show regardless. They had a clean, modern sound full of enthusiasm and energy. They were really good and clicked as a group. Had I hear the studio version of any one of their songs on a popular radio station, I would have assumed they were as popular and well-known as all the other bands frequenting the mainstream airwaves. I hope they had more of a crowd at their Wednesday gig because they truly deserve a following; that, and a skilled sound-technician! The “ElMo” had been renovated since my last visit and looked a little cleaner and brighter than I remembered. I noticed something funny though- the bathrooms, instead of being labelled “Mens” and “Ladies”, had signs saying “The John” and “The Yoko”. Very creative, I thought, and then I wondered if they had been called that the whole time I had been going there and I was just noticing for the first time.

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2013 Canadian Music Week

 

After perusing the gig-guide, I decided to begin my 2013 Canadian Music Week festivities at the cozy, yet spacious Drake Underground for “Music From Ireland Presents” to check out a couple of bands from Dublin. The company presenting the music offered a free CD sampler of the bands they work with, which I took and thanked them for enthusiastically. It’s a great way to leave some of their music behind for fans in other parts of the world.

By Melissa Peters

 

MUSIC: Beaches’ Jazz Fest 2012: Liona Boyd

MUSIC: Beaches’ Jazz Fest: Liona Boyd

It was the perfect summer afternoon with blue skies and a comfortable 23 degrees celcius as people young and old gathered around the main stage at Kew beach. Anticipation mounted for the first lady of guitar, Liona Boyd, to take the stage. Once again residing in Toronto and with a new album “Return To Canada, With Love” set to be released in the new year, Liona graced the stage just after 3:30pm. Accompanied by fellow classical guitarist and Toronto local Michael Savona , the show started off with a classical composition entitled “ Spirit Of The Canadian North Lands” . This was the first taste of a performance chock full of odes to the great white north. Liona Boyd is a reminder of the phenomenal talent our country has to offer. Liona has performed for royalty, for presidents and prime ministers and has performed with such talents as Yo Yo Ma and Eric Clapton. She has performed on The Tonight Show and received both the order of Canada and the order of Ontario. Her illustrious career has brought her to seven continents, performing for audiences all over the world.

Following a diagnosis of focal dystonia, Liona had to change the way she plays guitar. During this period she developed her singing and song writing abilities which is evident in her current music. She now incorporates many folk elements. Liona has an ethereal presence and her music tells a story, whether she is singing about her own personal history or about a Canadian icon such as Emily Carr. One of the more poignant moments was a beautiful song entitled “Living My Life Alone”. A bittersweet song she dedicated to the single people in the audience, it was a very honest reminiscence of the could have beens in life, with a brief mention of her romance with Pierre Elliot Trudeau at the age of 21. A line from the song goes “Who would have thought at this time I’d still have no place to call home. Who would have thought at this time I’d be living my life alone”. It is apparent that Liona Boyd has put reflection in to the events that have shaped her. She talked a lot about Toronto, the city she now once again calls home. “Toronto, I knew you long ago….Toronto, I’ve missed you so”.

Her new album will include a song called “Canada, My Canada” a song that features Jann Arden and was written with the knowledge that there are not enough national patriotism songs being sung in schools across the country. The performance finished with Liona telling the audience “thank you for bringing me home”. Canada welcomes you back with open arms.

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