CMW 2023

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Pictures Canadian Music Week 2022

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Chuck D Social Justice Honours Award
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2019 Canadian Music Week

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The Canadian Music and Broadcast Industry Hall of Fame Lifetime Achievement Award recipient Robbie Robertson.

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2017 Canadian Music Week

2017 Canadian Music Week

2017 Canadian Music Week 2018 Canadian Music Week
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BEACHES JAZZ FESTIVAL Press Party 2016

 

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2016 Canadian Music Week

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PANAMANIA Live Music – Toronto

 

 

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Indie Week Toronto 2014

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Dominique Fricot Vancouver, BC, Alternative, Folk, Indie, Rock, Soul

Dominique Fricot (Vancouver, BC)- Alternative, Folk, Indie, Rock, Soul

Friday Night brought us back to the El Mocambo for “Music BC Showcase by 102.7 The Peak and Georgia Straight” (Downstairs), and “Music PEI Presents” (upstairs) We travelled first to the west coast of Canada for Dominique Fricot, and I was pleased to see that both the sound and the size of the crowd had improved dramatically. The song we walked in on was a nice, light alternative number, followed by some great R&B bass lines and guitar licks that drew the audience to the dancefloor. The lead male vocalist/guitarist described the next song as a waltz, so I didn’t have a clue what to expect. It turned out to be a beautiful and touching ballad featuring really nice melodies and vocal harmonies. He had quite the vocal range, and was able to adjust his voice appropriately for each style of music. Part way through the set, the band welcomed two more members carrying stringed instruments- a violin and what looked like a cello with a much narrower body. It’s always been a favourite of mine to hear classical instruments in rock/blues groups. There was so much depth and emotion behind the classical strings, it was almost tangible. I was also impressed with how the sets were laid out. Normally everyone playing up and downstairs are on the same schedule, but one started on the hour and the other started on the half hour. It was a great way to enjoy a good half hour a band without having to skip a beat between that and the music on the other floor. Whoever organized that had the right idea, and the whole festival should be laid out as such. There were years it seemed we were always arriving at a venue to watch a band set up or unplug. It can get frustrating!

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Delorentos (Alternative Indie Rock) CMW 2013

Delorentos (Alternative Indie Rock)

Delorentos (Alternative Indie Rock) I couldn’t help but love hearing that distinctive Dublin drawl so close to St. Patricks Day. The music wasn’t traditional, but it was fun and melodic. Though there was a taste of heavier alternative sneaking into the numbers, the music was mellow enough for an older crowd to still enjoy. Their tunes were catchy, both vocally and instrumentally, and pleasing to the ears with lovely harmonies. Each member of the band brought something different, yet equally important to the stage, and the overall sound speaks volumes of the individual talents behind it. As one song ended, it was impossible to know what to expect, but it’s safe to assume you will enjoy whatever it is. Their eclectic styles continue to pleasantly surprise. A wide variety of rhythms appeared throughout the set, many of which had the audience clapping or moving along with the band. The cute Irish boys looked the part, and had the energy and passion us fighting, drinking and partying Irish are known for. The final number, entitled ‘Secrets’ had one of those fun choruses that gets stuck in your head, and you find yourself singing along to a song you are only hearing for the first time.

Melissa Peters

 

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Coyote (PEI) Music Review

Coyote (PEI)

Coyote

My trusty photographer and I made our way up the stairs in a journey from one end of the country to the other. My experience thus far with East Coast music has been with bands primarily from Nova Scotia, and as my daughter has PEI blood, I was looking forward to seeing what the music from her daddy’s home would be like. It was great-upbeat, with that “East Coast” feel I have always loved. If this band is any indication, PEI is certainly worthy of their own showcase. It looked like the crowd agreed with me, as they surrounded the stage to bop and weave to the tunes. They were a little heavier than most East Coast music I am familiar with, but they managed to do so without losing the friendly, happy party tone. Sadly, it was too loud upstairs- the room isn’t big enough for that kind of volume, and it made it difficult for me to really appreciate the music

Brock Street Mafia Takes the Road to Canadian Music Week

Brock Street Mafia Takes the Road to Canadian Music Week

Over the years, I have found myself focusing on smaller, lesser-known venues in search of the musical hidden-gems of the year. I went a little bigger on the Saturday night of Canadian Music Week this year to check out a new band from Whitby. Brock Street Mafia had their debut CMW performance at likely the most well-known venue in the city after duking it out against other hopeful performers in the second annual “Road to Canadian Music Week”. I always assumed the bands playing the Hard Rock would be those with a year or two of successful festival appearances behind them. This band didn’t have the years behind them, but if they keep doing what they are doing, they will enjoy many years to come. Though they haven’t been together very long, the members of BSM found each other at the perfect time in their lives, ready to create and dedicate themselves to a great band and enjoy the success of their combined talent and love for music. Their first show was on December 1, 2012 at the ATRIA in Oshawa, and already they are quickly becoming a regular feature on the Toronto music scene. Founding members, P$yChloDelic (vocals) and Ryan Denyer (guitar) first joined forces in a previous band that didn’t work out, but they weren’t ready to give up. The two continued writing and jamming while in search of like-minded musicians to add to their sound. It didn’t take long to find Gordie (drums) and Ian Sorenson (bass), at which time P$yChloDelic reconnected with her old friend Kyle Homen (guitar). The rest is a very short history thus far, but it already sounds like these guys (and girl) have been playing together for ages. P$yChloDelic has a great tattoo on her calf, evidence of the rock and roll bursting from her tiny frame, even when she’s sporting stilettos. Her voice and stage presence, however, are anything but small. Her clear but powerful vocals are perfect for the music, and with her charisma and energy, she grabs everyone’s attention and keeps it. The band members lend their own personalities to the writing and performance, keeping each other and the audience on their toes. They are all oozing passion and talent, and obviously love what they are doing together. I actually found myself smiling as the set continued, and audience members who were clearly there to see another act couldn’t help getting into the music of Brock Street Mafia. Their tunes were heavy-in a good way, paving the way for everything from the vocals, melodies and rhythms to stand out and shine. The song November Blue was described as one of their slow songs, and it started out as such, but didn’t stay very slow. The magic though, was that it took on a different, yet equally appealing tone and sound so I didn’t find myself wishing it would go back to the ballad-style. My favorite ballads are by rock bands, and I get annoyed when even Metallica and Guns and Roses pick up the pace during one. In this instance, I wasn’t annoyed at all-I just wanted to hear more. From rock to alternative to punk, the music just got more fun as the set progressed, and the rest of the audience obviously agreed with me. The only complaint I have is that it ended too soon. Brock Street Mafia performed at Sound Academy for “420 Fest”, so i made a point of being there for an encore performance. They weren’t as rushed for time at this show, so we got to hear a little more narration from P$yChloDelic between songs, which just made her that much more entertaining.

AYOH (Chicago, IL, USA)- Alternative Rock

AYOH (Chicago, IL, USA)- Alternative Rock

Ayoh Music Group CMW

I had an issue with the CMW Gig guide regarding a lack of information promoting when this band would actually be playing. I understand that the lineup isn’t always finalized on time, and that there are little surprise appearances here and there, but it puts bands like this one at a disadvantage. The guide listed the band, and the little mini-bio, as well as an appearance earlier in the week at a different venue, but didn’t include their appearance downstairs at the El Mocambo on Thursday night. It was a real pity, because if I had seen the band on Wednesday, I would have loved to see them again before they flew home. The place was almost empty, which could have had something to do with the gig not being listed, and it was a shame because a lot of people would really enjoy this group. The volume was obviously geared toward a packed house, and should have been adjusted accordingly when the sound tech established that the crowd would consist of twenty people rather than two-hundred. Paul and I stayed glued to the front windows (about 60 meters away) and, even there, it was far too loud. The sheer volume was just uncalled for and it caused unnecessary distortion. Had it been adjusted by even 10%, it would have sounded great from the opposite end of the empty bar. Big crowd, or a handful of people, this band put on a great show regardless. They had a clean, modern sound full of enthusiasm and energy. They were really good and clicked as a group. Had I hear the studio version of any one of their songs on a popular radio station, I would have assumed they were as popular and well-known as all the other bands frequenting the mainstream airwaves. I hope they had more of a crowd at their Wednesday gig because they truly deserve a following; that, and a skilled sound-technician! The “ElMo” had been renovated since my last visit and looked a little cleaner and brighter than I remembered. I noticed something funny though- the bathrooms, instead of being labelled “Mens” and “Ladies”, had signs saying “The John” and “The Yoko”. Very creative, I thought, and then I wondered if they had been called that the whole time I had been going there and I was just noticing for the first time.

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Toronto Jazz 2012 Fest: George Benson

As the sun sets over Nathan Philip square there is a palpable feeling of excitement as people await the Legendary George Benson.The night begins with the opening act Tressa Levassuer who, accompanied by her seven piece band, opened with their song “Where Did I go”. A mixture of jazz-infused pop with a bit of soul, they got the crowd toe-tapping and set the beat for the evening. One of my personal favourites is a song she wrote for her 17-year- old daughter, which included a dialogue about “whatever happened to decency”, a banter between mother and daughter, which I’m sure many mothers could relate with.

When they finished their set, there was a buzz in the air. Amongst the swirl of purple and white lighting there was an excited energy as the crowd awaited the main act, legendary jazz performer and 10 time grammy award winning George Benson. Known for such hits as “Affirmation”, Mr. Benson and his band took the stage and the crowd began to cheer. Still going incredibly strong after over 30 years in the music industry, he opened with their hit song “breezin” and the air became thick with the infectious sound of jazz fusion. Alternating between guitar and vocals and just guitar, the set did not disappoint, and even included some classic scat style. The communication between the band and audience was felt and Mr. Benson said “All over the world this song resonated” before going into “Nothing’s Gonna Change My Love For You” in which the crowd enthusiastically applauded. A favourite included the 1950’s classic hit “Tequila”. A crowd pleaser which was turned in to a classic George Benson style of jazz, it included a guitar solo which was mesmerizing. As one of his last song’s of the night started, a solid disco beat began and the crowd was on its feet as the beat turned in to one of their biggest hits “Give Me The Night”.

This writer wasn’t brave enough to dance, but I was definitely dancing in my seat. It was obvious that George Benson and his 5 piece band were in to all the songs and that resonated with the audience. With the encouragement of the bassist Ron Carter even more people got to their feet and dancing ensued.

After “Give Me The Night” Mr. Benson left the stage but the rest of the band remained. A three set encore commenced with the classic “Since I Fell For You” and ended with an excellent cover of “On Broadway” with an amazing drum solo. Although my own personal favourite “This Masquerade” was not played it was of little consequence. It was a very memorable evening and George Benson has proved he is still relevant in an age of auto tune and simple pop melodies.

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