Category: music websites
music websites
The Duke Toronto
Black Bear Pub
Royal Canadian Legion Branch 614
The Swan A Firkin Pub
Southside Johnny’s Bar and Grill
MODE CANADA ROCKS Spring Equinox
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FASHION
Dakota Tavern
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Gladstone Hotel
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MAESTRO FRESH WES . SCARBOROUGH BACK TO SCHOOL
Toronto, On – Maestro Fresh Wes (Wes Williams) The Godfather of Canadian Hip Hop, will bring home a special inspirational event. Giving back has always been a part of the iconic artist’s DNA, never forgetting where he came from. Maestro hopes to encourage young students, parents, and educators to aim for an awesome upcoming school year. The event is inspired by Maestro’s popular children’s book, “Stick To Your Vision: Young Maestro Goes To School” (co-written by Rhodora Meliton-Vanderpool, illustrations by Leon “Eklipz” Robinson )
★ FACEBOOK https://www.facebook.com/maestrofreshwes
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MAESTRO FRESH WES – SCARBOROUGH BACK TO SCHOOL
Handlebar
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The Baby G
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Smokeshow BBQ
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History Toronto Venue
El Mocambo Music Calendar
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The Opera House Music Calendar
Great Hall Toronto Calendar
Phoenix Concert Theatre Calendar Events
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Timothy’s Pub Calendar events
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Calendar of Events Of Lee’s Palace
Calendar of Events Danforth Music Hall
Calendar of Events Adelaide Hall
Calendar of Events Horseshoe Tavern
Calendar of Events Supermarket
Friday Night Blues Jam feat. Mike Sedgewick Black Swan Tavern
The Friday Night Blues Jam is hosted by the team of singer Robin Hutchison, and guitar player, Mike Sedgewick. The origins of the jam can be traced back to 2016 at a small bar in Toronto’s Beaches area called The Peppery Cat. Within’ a few months, they began to develop a unique brand of high level musicianship, fostered an environment of friendly and welcoming community, and built a reputation as one of the best places in the East End to catch authentic blues on a Friday night. It was not uncommon during that time to catch such guitar greats as Tony Springer and Frank Cosentino stop by and tear it up for a few songs. Gradually, in a grass roots approach, they built a solid following from local music fans. Consistently delivering quality music in a casual and impromptu way.
It was in 2017 that the Peppery Cat closed operations, and the jam was moved across Queen St. East to The Salty Dog. Both venues were owned by the same family so it was an easy and logical transition. Although slightly smaller in size, the Salty Dog had a more intimate and comfortable vibe. When it was filled with music fans, the energy for both performer and audience was unparalleled. It was during this time, up until it also closed in February 2020 (unrelated to covid), that the Friday Night Blues Jam really became what it is known for today. Many of the top players from Southern Ontario regularity would occupy the featured guest spot. It was not uncommon to have Juno winners, Maples Blues winners, and up and coming stars to be featured as guest, in the house band, or just drop by to play a few or mingle with the community. Musicians such as Tom Bona, Jonny Wong, Jesse Whiteley, Joshua Miller, Ian Andrews, Julian Fauth, Steve Grisbrook, Frank Cosentino, Rob Quail, Jerome Tucker, Tony Springer, Sugar Brown, Conor Gains, George Koller, Russ Boswell, Little Magic Sam, Nick Tabarias, Paige Armstrong, Tim Gittens, Tracey Gallant, John Fraser Findlay, Dan MacKinnon, Mike Nagoda, Sons of Rhythm, Meghan Parnell, Dave Barnes, Greg Godovitz, and Sandra Bouza, to name a few. Many friendships and professional relationships were forged during this time. International visitors would show up and share their stories of how they heard about the scene that was happening.
By February of 2020, those Friday nights were standing room only, and it was difficult to move in the confines of the venue. Serendipitously, the venue had been outgrown when the Salty Dog closed, and the jam needed a new home. The perfect opportunity was at the Black Swan Tavern (154 Danforth Ave). The Black Swan Tavern was bigger, had a more central location, and most importantly has a storied history of having some of the greatest blues musicians in the world play there during the days of the Kendall-Wall Band from the 80’s and 90’s. It was clear after the inaugural Black Swan event that they had indeed found their new home. A place to grow, evolve, and continue to fill the hearts of dedicated blues fans with some of the best music and energy that Toronto has to offer.
Tyler Yarema live at the Reservoir Lounge
Since 1993, Toronto-based musician, Tyler Yarema (then twenty-one years old) has been performing at the Reservoir Lounge, soon after its official opening in downtown Toronto. The self-taught musician (pianist and vocalist) currently plays weekly on Friday and Saturday evenings, beginning at 9:30pm. Last Friday was the first show post-COVID and was received extremely well by the patrons at the Lounge; a clear relief as many locals had their first taste of live music post-pandemic.
Though, I use the term “self-taught,” Yarema would prefer the term “self-educated.” The difference being that self-taught implies learning without external sources. Self-educated is more a personal study from both the artist themselves, and other artists and teachers and resources.
Yarema has been dabbling in music since the ripe age of thirteen, where he would play guitar in jam sessions with friends. At the age of sixteen, one of his co-dabblers brought their keyboard. As soon as Yarema sat down with the keys, he knew that his life had changed. While something beyond him (one-might-say, divine source) took over, he knew he had found his calling.
Throughout his youth, he would ditch classes to play the school piano instead of studying. It didn’t take long before his mother accepted this as part of his artistic process.
Upon asking Yarema advice for other musicians, he agreed that while things differ from individual to individual, as well as place to place and time to time, it really does depend on three huge factors. The first being, the patience and time to dedicate into learning a new skill and surrendering your life to said skill. The second being the commitment to jam sessions and playing with as many different artists as possible, in as many venues, locations, and circumstances as one can manage. But the third, and arguably most important factor is something beyond you, a skill set you were given at birth. To quote, to be an artist requires something that the “good lord gave you that sets you 1,000 miles beyond your colleagues” before you even begin the learning process. Many true artists can emphasize with this factor, feeling as though they are a vessel to their art and not truly creating it externally, but it comes from something within one’s self. A drive beyond their own function.
Yarema’s main advice for fellow musicians starting out – while things are constantly changing, just keep performing. Keep doing what you love. Keep learning and keep dabbling. Also, try out open-mic nights, as you never know where one avenue might lead.
Yarema has recently been invited to join the Downchild Blues Band as the keyboardist, the first show will be during the Tim Hortons Southside Shuffle.
by Sonetta Duncan + Pics By Paul
Calendar of Events Black Swan
Calendar of Events RESERVOIR LOUNGE
Late Nights at The Rex: Keith Barstow Group
Late Nights at The Rex: Keith Barstow Group
As far as mottos go, The Rex Hotel Jazz and Blues Bar prefers to keep it simple. “More Great Jazz than anywhere else, all the time!” is their commitment. They honour it very well, and especially now as we return to a world of late-night drinks and live jazz. Having just reopened, The Rex has caught the attention of many a music lover yearning for a night of musical whimsy. And they’ve prepared well for it, too: the unmistakable venue has invested in all the modern equipment necessary. Their stage boasts floor-to-ceiling glass walls to ensure a barrier between musician and audience, and they are certainly taking full advantage of the outdoor patio craze of summer 2021.
On Monday, July 26, the kicked off the week with some smooth live tunes. With Keith on the drums, Ian on the horns, and David on the bass, they were the quintessential jazz trio, perfect to sip summer cocktails along to. They met at U of T and have been making music together ever since. All three seemed thrilled to finally be back in the music scene, and their fervour was clear in their performance. In fact, I daresay their stage presence as group easily made up for the plastic barriers separating them from the audience. They have little social media presence and tend not to advertise much, claiming they really do it for the love of music. This love of music may be all the advertising they need, because we sincerely recommend you go check out the Keith Barstow group next time they play The Rex.
story by Tara Smylie, pic by paul murton
Calendar of Events BOVINE SEX CLUB
Calendar of Events THE REX HOTEL
Our jazzrhythms.ca Our Jazz Site
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Pages or Sections In Live Music Guide
Pages or Sections In Live Music Guide
Our 16 page colour newspaper will have pages featuring content from these websites
Reviews and listings for Live Music in
Toronto. (This Site) (4 Pages)
Reviews and listings for Dance Bars in
Toronto (Which Dj Is Spinning Where) (under construction) (1 Page)
Reviews and Pictures for Fashion in
Toronto (Fashion Shows) (1 Page)
Where and which bar has the
Wing Night in Toronto (under construction) (1 Page)
Need help with your taxes,
business, and/or sale of your home.
List of Canadian Professional Drectory
(under construction) (1 Page)
Pictures for Red Carpet Events in
Toronto (Toronto Events) (1 Page)
Kevin Garrett
Kevin Garrett
Kevin Garrett is an American musician from Pittsburgh, Pennsylvania based out of Brooklyn, New York. This talented young musician has already been nominated for his work on Beyonce’s ‘Lemonade’ album, and I have a feeling it will only be the first of many. There is something about him that makes me think of Ed Sheeran, but he has a sound that is all his. It’s rare to hear this style of music played and sung so beautifully by a male vocalist. This kid has more than enough talent to give even Ed a run for his money. Extremely talented at songwriting, guitar and piano, something about this young man’s music suggests a future hit love song that will be on every wedding playlist, likely as the first song or the traditional father-daughter dance. Those are the kind of ballads that are timeless, and evoke fond memories and tears of either happiness or sadness for decades to come. If anyone has the potential and talent to create one of those timeless ballads, it’s Kevin Garrett. You won’t have to watch out for this young man, because you will be hearing more from him. Just wait.
by Melissa Petters
Review: La Force
Review: La Force
La Force
Featuring a lead vocalist with a stunning voice filled with passion and clarity, La Force has a sound that is filled with beautiful melodies and instrumental accompaniments. Their eclectic music would be ideal for an funky restaurant or art gallery, a mellow party with candles and soft conversation or just to enjoy while one sits and writes music reviews. They range from the soft and soulful to a more upbeat and unpredictable style. It’s fun to listen to while being relaxing at the same time. La Force would appeal to a wide variety of audiences of many ages. Their name is appropriate, because they ARE a force. They stand out rather than blending with the status quo, which isn’t easy to do nowadays, and they are going places. Definitely worth checking out!
Melissa Peters
Check it out for all things music in Toronto
Bloor News Announces a New Feature: livemusicguide.ca
Check it out for all things music in Toronto, including Open Mic listings, maps to live music venues, featured local singers/musicians and music news and reviews.
The entertainment and writing communities were saddened to learn of the passing of Gary Webb-Procter aka ‘Gary17’, widely respected musician, critic and Editor of East York Chronicle late last year. Gary’s death didn’t just leave a hole in the hearts of his friends, family, readers and fans, it left a hole in the music scene. Gary took the spotlight off the bands we had already heard of and gave the lesser-known acts a chance to shine. Without his reviews, the Linsmore Tavern wouldn’t be a mecca for up-and-coming musicians, and we would never have heard of or from some incredible talent. The talent of the future deserves the same recognition that their predecessors gained from Gary’s pieces. Reviewing live music isn’t easy nowadays, but as vaccination rollouts continue, there is a light at the end of the tunnel. We are proud to offer our services. These are big shoes to fill, but we hope we can honour Gary’s memory by doing it justice.
Click on the links below for some samples, and be sure to follow us on twitter at #Musicevents for future announcements, or you can find us on Facebook at LiveMusicGuideTO and our Instagram is live.music.guide. We look forward to discovering hidden gems and introducing our readers to the creative talent of the future.
Go to livemusicguide.ca to post your music event
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Precious Love by Chris Birkett
Chris Birkett is a multi-talented, award winning producer, singer/songwriter, composer and sound engineer. His music collaborations with A-list international artists like Sinead O’Connor, Alison Moyet, Dexys Midnight Runners, Talking Heads, The Pogues, Bob Geldof, Quincy Jones, Mel Brooks and Steve Earle have sold over 100 million records and earned four Canadian Junos, a Grammy, a Polaris Music Prize and three international AMPEX Golden Reel Awards for excellence in the music business.
Precious Love is about how positive feelings can grow, and how love can transform people, for people are precious, and relationships are the foundation of humanity. Written and performed by Chris Birkett the song features some of Toronto’s finest musicians, Bill King on keyboards, Gene Hardy playing sax, Paul DeLong on drums, and background vocals by Taylor Abrahamse. The video is created by Joan Prowse.
Chris is no stranger to Canadian music, having co-produced five award winning albums for the legendary Buffy Sainte-Marie, including her comeback album “Coincidence and Likely Stories” (1992) and the Juno winning “Running for the Drum” (2009).
His career began as a guitarist, playing in London clubs before touring with Memphis artists Rufus Thomas, Ann Peebles and King Floyd. At 23, Chris was performing with the pop group Love Affair, whose song “Everlasting Love” ruled the UK charts. The following year, he joined the band Omaha Sheriff who had just signed a major recording deal with Tony Visconti, manager of Good Earth Records and producer for David Bowie and the Moody Blues.
Listen – Hear Now — Spotify
With Visconti as a mentor, Chris expanded his career to include producing, engineering and mixing many UK and international hits including Sinead O’Connor’s #1 song “Nothing Compares 2 U”. His London studio was a beehive of activity that was rated #2 in the world on Billboard’s top studio charts.
At the same time, Chris’ own single “Where Do We Go From Here?” was picked by Ed Bicknell (Dire Straits’ manager) to play alongside U2, Peter Gabriel, Bob Marley, Tears for Fears and Queen on Polygram’s “One Voice One Love” album.
In 1993, Chris left the UK for France and built a recording studio inside his chateau near Bordeaux. There he produced albums with the Buena Vista Social Club and other world-class musicians, including Etran Finatawa, whose debut album was nominated for a 2006 BBC Radio best world music award. He then moved his studio to Paris, where he released his second album, “Freedom” and received growing acclaim for his work with world musicians like Algerian sensation Ali Amran.
Website
In 2012, Chris moved to Canada, opened a recording studio in Toronto and finished work on his third album “Be Creative” featuring performances from many talented Canadian artists including Glen Milchem (Blue Rodeo) and Rick Emmett (Triumph). Now a Canadian citizen, Chris’ credits include co-producer of Buffy Sainte-Marie’s Polaris and Juno award winning album “Power in the Blood” (2016) and the recent Juno winner, Medicine Songs (2017), both for True North Records. In 2019 he released 11:11, his fourth album under the band name The Free Spirits.
Chris is currently creating new recordings for a range of talented Canadian and European musicians and is immersed in his own upcoming albums: Songs from the Kauai Hotel Room and a collection of fun-loving songs with his new collective, The Happy Campers. In February 2021, he released the single Precious Love for his documentary filmmaker wife Joan Prowse.
Among his many Precious Loves Chris enjoys performing his original music live at musical venues, clubs and online events.
2019 Canadian Music Week
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#CMW2017@5440 Canadian Music & Broadcast Industry Awards
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Hall Fame Inducteeshttps://t.co/bcvmR5o7I8 pic.twitter.com/8zKtEqtqeG— Music Events (@MusiceventsGTA) April 5, 2017
BEACHES JAZZ FESTIVAL Press Party 2016
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DDBCanada @DDBCanada
We believe creativity is the most powerful force in business. Follow us for company news, job postings, industry trends and more.
Bill King @billkingpiano
musician, photographer, writer,producer, arranger , whatever
#BeachesJazz @beachesjazz
28th Year | JULY 2-24 2016 | Woodbine Park | Jimmie Simpson Park | #BeachSalsaFest | Workshops | #TasteOfJazz | #StreetFest | All Live Performances | ALL FREE!
Vince Alexander @vincealexander
Arthur Potts @apottsmpp
Member of Provincial Parliament for Beaches-East York
BEACHES JAZZ FESTIVAL Press Party 2016
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Canadian Music Hall Of Fame Andy Kim
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Canadian Music Hall Of Fame
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Winterfolk Blues Roots Festival Toronto
Winterfolk Blues Roots Festival Feb 12-14, Toronto.
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Festival Founder
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MP Toronto Danforth
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Winterfolk
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OPENING PARTY Indie Music Week 2015
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Indie Week Canada & Indie Week Europe. Check out our film fest @riff_toronto & our music film & tech conference @indie_101.
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OPENING PARTY Indie Music Week 2015 Mike Joyce The Smith’s
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SOCAN Awards Randy Bachman Lifetime Achievement Award
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BEACHES JAZZ FESTIVAL Press Party 2015
BEACHES JAZZ FESTIVAL Press Party 2015
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Festival d’été de Québec Pop-Up FEQ Toronto
Festival d’été de Québec Pop-Up FEQ Toronto
Festival d’été de Québec is excited to announce , a new, multi-city live music initiative presented by Sirius XM. Pop-Up FEQ will see surprise live concerts occurring in urban settings in the lead-up to this year’s Festival, taking place July 9 to 19 in Québec City.
The debut Pop-Up FEQ event will take place at Toronto’s Nathan Phillips Square on May 15th at 6pm. The free show will feature surprise artists whose identity will be revealed only at the start of the performance. “We were looking for an original way to draw attention to our event – to get the word out,” explained Luci Tremblay, communications director for Festival d’été de Québec. “Pop-Up FEQ shows will be part of our promotional efforts in Toronto, a market that we’ve been developing over the past few years.” The Toronto event will be presented in collaboration with the Québec City Tourism Bureau and Sirius XM, who will record the performance for broadcast on its network at a later date.
Fans are encouraged to watch Festival d’été de Québec’s social media networks for hints and clues on the time, location – and possibly even the stars– of future Pop-Up FEQ events. An official hashtag has also been created for the series – #PopUpFEQ – and attendees are encouraged to share their experiences at the events on their own social networks. Following the Toronto date, Pop-Up FEQ will move to Québec City, where similar surprise performances will be unveiled in the coming months as well as during the Festival itself.
“We’re proud to work with Festival d’été de Québec in promoting the cultural vitality in the Québec City area. The pop-up concerts are a tantalizing preview of the many shows and cultural events on offer this summer at one of North America’s most unique destinations,” added André Roy, director of the Québec City Tourism Bureau.
Festival d’été de Québec celebrates its 48th anniversary in 2015 with performances by The Rolling Stones, Foo Fighters, Nickelback, Keith Urban, Iggy Azalea – and many more – at Québec City’s historic Plains of Abraham.
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NXNE 2014 Wed Music Festival Toronto Pics
NXNE 2014 Wed Music Festival Toronto Pics
The Ian Fays
Nice people – they were already finished, when i got to the “Boat”
The baby plays the drums!
The Van Allen Belt
Had a video running behind them that was by itself a wonderful work of art. Could have used a little less bass rumble.
The Girl can sing and the band was a man with a computer, with another guy with a keyboard. Above average for the “Indie Music Biz” but played to 15 people. Sad waste of time for a group to travel so far and not to be promoted. See pic below
Old and Weird
these Cute young girls played to a busy bar across the street. And made better by the province of NOVA SCOTIA
But sadly badly off key singing made them miss my top ten … please get better
Monomyth
Right on after the girls — these boys could sing — packed house — nice to see so many “young people”
maybe there is hope of live music after all. your usual “indie Music Stuff” nothing outstanding in songwriting dept
Fevers
Both singers could hold a note, but were usually lost in the mix. Great lights, above average in the “indie Music Stuff”
had great energy — but only got a “c-” in songwriting. too bad indie music people do not go to class about writing good
pop hooks — you know the song that drives you nuts — in your head — you need to hear it again
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WINTERFOLK XII BLUES & ROOTS FESTIVAL 2014
NXNE 2013 Toronto Music Review
Brock Street Mafia Takes the Road to Canadian Music Week
Brock Street Mafia Takes the Road to Canadian Music Week
Over the years, I have found myself focusing on smaller, lesser-known venues in search of the musical hidden-gems of the year. I went a little bigger on the Saturday night of Canadian Music Week this year to check out a new band from Whitby. Brock Street Mafia had their debut CMW performance at likely the most well-known venue in the city after duking it out against other hopeful performers in the second annual “Road to Canadian Music Week”. I always assumed the bands playing the Hard Rock would be those with a year or two of successful festival appearances behind them. This band didn’t have the years behind them, but if they keep doing what they are doing, they will enjoy many years to come. Though they haven’t been together very long, the members of BSM found each other at the perfect time in their lives, ready to create and dedicate themselves to a great band and enjoy the success of their combined talent and love for music. Their first show was on December 1, 2012 at the ATRIA in Oshawa, and already they are quickly becoming a regular feature on the Toronto music scene. Founding members, P$yChloDelic (vocals) and Ryan Denyer (guitar) first joined forces in a previous band that didn’t work out, but they weren’t ready to give up. The two continued writing and jamming while in search of like-minded musicians to add to their sound. It didn’t take long to find Gordie (drums) and Ian Sorenson (bass), at which time P$yChloDelic reconnected with her old friend Kyle Homen (guitar). The rest is a very short history thus far, but it already sounds like these guys (and girl) have been playing together for ages. P$yChloDelic has a great tattoo on her calf, evidence of the rock and roll bursting from her tiny frame, even when she’s sporting stilettos. Her voice and stage presence, however, are anything but small. Her clear but powerful vocals are perfect for the music, and with her charisma and energy, she grabs everyone’s attention and keeps it. The band members lend their own personalities to the writing and performance, keeping each other and the audience on their toes. They are all oozing passion and talent, and obviously love what they are doing together. I actually found myself smiling as the set continued, and audience members who were clearly there to see another act couldn’t help getting into the music of Brock Street Mafia. Their tunes were heavy-in a good way, paving the way for everything from the vocals, melodies and rhythms to stand out and shine. The song November Blue was described as one of their slow songs, and it started out as such, but didn’t stay very slow. The magic though, was that it took on a different, yet equally appealing tone and sound so I didn’t find myself wishing it would go back to the ballad-style. My favorite ballads are by rock bands, and I get annoyed when even Metallica and Guns and Roses pick up the pace during one. In this instance, I wasn’t annoyed at all-I just wanted to hear more. From rock to alternative to punk, the music just got more fun as the set progressed, and the rest of the audience obviously agreed with me. The only complaint I have is that it ended too soon. Brock Street Mafia performed at Sound Academy for “420 Fest”, so i made a point of being there for an encore performance. They weren’t as rushed for time at this show, so we got to hear a little more narration from P$yChloDelic between songs, which just made her that much more entertaining.
AYOH (Chicago, IL, USA)- Alternative Rock
AYOH (Chicago, IL, USA)- Alternative Rock
I had an issue with the CMW Gig guide regarding a lack of information promoting when this band would actually be playing. I understand that the lineup isn’t always finalized on time, and that there are little surprise appearances here and there, but it puts bands like this one at a disadvantage. The guide listed the band, and the little mini-bio, as well as an appearance earlier in the week at a different venue, but didn’t include their appearance downstairs at the El Mocambo on Thursday night. It was a real pity, because if I had seen the band on Wednesday, I would have loved to see them again before they flew home. The place was almost empty, which could have had something to do with the gig not being listed, and it was a shame because a lot of people would really enjoy this group. The volume was obviously geared toward a packed house, and should have been adjusted accordingly when the sound tech established that the crowd would consist of twenty people rather than two-hundred. Paul and I stayed glued to the front windows (about 60 meters away) and, even there, it was far too loud. The sheer volume was just uncalled for and it caused unnecessary distortion. Had it been adjusted by even 10%, it would have sounded great from the opposite end of the empty bar. Big crowd, or a handful of people, this band put on a great show regardless. They had a clean, modern sound full of enthusiasm and energy. They were really good and clicked as a group. Had I hear the studio version of any one of their songs on a popular radio station, I would have assumed they were as popular and well-known as all the other bands frequenting the mainstream airwaves. I hope they had more of a crowd at their Wednesday gig because they truly deserve a following; that, and a skilled sound-technician! The “ElMo” had been renovated since my last visit and looked a little cleaner and brighter than I remembered. I noticed something funny though- the bathrooms, instead of being labelled “Mens” and “Ladies”, had signs saying “The John” and “The Yoko”. Very creative, I thought, and then I wondered if they had been called that the whole time I had been going there and I was just noticing for the first time.
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2013 Canadian Music Week
After perusing the gig-guide, I decided to begin my 2013 Canadian Music Week festivities at the cozy, yet spacious Drake Underground for “Music From Ireland Presents” to check out a couple of bands from Dublin. The company presenting the music offered a free CD sampler of the bands they work with, which I took and thanked them for enthusiastically. It’s a great way to leave some of their music behind for fans in other parts of the world.
By Melissa Peters
MUSIC: Beaches’ Jazz Fest 2012: Liona Boyd
MUSIC: Beaches’ Jazz Fest: Liona Boyd
It was the perfect summer afternoon with blue skies and a comfortable 23 degrees celcius as people young and old gathered around the main stage at Kew beach. Anticipation mounted for the first lady of guitar, Liona Boyd, to take the stage. Once again residing in Toronto and with a new album “Return To Canada, With Love” set to be released in the new year, Liona graced the stage just after 3:30pm. Accompanied by fellow classical guitarist and Toronto local Michael Savona , the show started off with a classical composition entitled “ Spirit Of The Canadian North Lands” . This was the first taste of a performance chock full of odes to the great white north. Liona Boyd is a reminder of the phenomenal talent our country has to offer. Liona has performed for royalty, for presidents and prime ministers and has performed with such talents as Yo Yo Ma and Eric Clapton. She has performed on The Tonight Show and received both the order of Canada and the order of Ontario. Her illustrious career has brought her to seven continents, performing for audiences all over the world.
Following a diagnosis of focal dystonia, Liona had to change the way she plays guitar. During this period she developed her singing and song writing abilities which is evident in her current music. She now incorporates many folk elements. Liona has an ethereal presence and her music tells a story, whether she is singing about her own personal history or about a Canadian icon such as Emily Carr. One of the more poignant moments was a beautiful song entitled “Living My Life Alone”. A bittersweet song she dedicated to the single people in the audience, it was a very honest reminiscence of the could have beens in life, with a brief mention of her romance with Pierre Elliot Trudeau at the age of 21. A line from the song goes “Who would have thought at this time I’d still have no place to call home. Who would have thought at this time I’d be living my life alone”. It is apparent that Liona Boyd has put reflection in to the events that have shaped her. She talked a lot about Toronto, the city she now once again calls home. “Toronto, I knew you long ago….Toronto, I’ve missed you so”.
Her new album will include a song called “Canada, My Canada” a song that features Jann Arden and was written with the knowledge that there are not enough national patriotism songs being sung in schools across the country. The performance finished with Liona telling the audience “thank you for bringing me home”. Canada welcomes you back with open arms.